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The design and manufacturing technique used for the Canon FD 20-35mm f/3.5L has not just created an instance Canon Classic, but it has given competitions such as Nikon, Minolta, Pentax having difficulties a nightmare in finding workable solutions answering Canon's aggression; for an instance, the first Nikkor 20-35mm was only being introduced as late as 1993 - more than a decade behind Canon ! However, Pentax and Minolta reacted better than Nikon with two pin-sized MD Rokkor and SMC 24-35mm f/3.5; however, both the lenses have not been incorporated with an Aspherical glass element within and thus, confined themselves as consumer class solution. Besides, when the 20-35mm FD zoom was introduced, there was practically no competition in its class. Technically, you can also say the FDn 20-35mm f/3.5L was an evolved upgrade version for the earlier 24-35mm and it also formed the basis for the EF 20-35mm f/2.8L which has been given a lens speed boost faster to f/2.8. photographer. |

Since this section is not discussing the version history, I will just provide a quite summary of various data:-
lens type |
Angle of View |
Optical Design |
optical system |
max/mim aperture |
closest distance |
filter size |
case(s) |
lens hood |
Body length approx. |
weight |
year introduced |
FD 24-35mm f/3.5 S.S.C. ASPH |
84¡Æ ~63¡Æ |
12 elements 9 groups |
Aspherical, floating elements |
f/3.5 ~ f/22 |
0.4m |
72mm |
LH B8 (hard); LS A9 (soft) |
W - 75 |
86.3mm |
515g |
(02.1978) |
Canon FDn 24-35mm f/3.5L |
84¡Æ ~63¡Æ |
12 elements 9 groups |
Aspherical, floating elements |
f/3.5 ~ f/22 |
0.4m |
72mm |
LH B8 (hard); LS A9 (soft) |
BW - 72 |
86.6mm |
500g |
(12.1979) |
Canon FDn 20-35mm f/3.5L |
94¡Æ ~63¡Æ |
11 elements 11 groups |
Aspherical, floating elements |
f/3.5 ~ f/22 |
0.5m |
72mm |
LH B8 (hard); LS A9 (soft) |
BW - 72 |
84.2mm |
470g |
(07.1983) |
".... When the EOS system was announced in 1987. The EF 20-35mm f/2.8L was among the original batch* of EF lenses that went to sale in order to boost confidence of Canon photographers that Canon will commit to offer them the in both technologies in camera as well as continual development of newer optics in the EF lens group. The superwide served as a demonstration as it has significantly improved from many aspect. While the EF 50mm f/1.0L USM** and EF 85mm f/1.2L USM lenses were created to reflect the potential of the fully electronic lens mount of the EOS System, both the EF 20-35mm f/2.8L AFD and EF 80-200mm f/2.8L AFD were partly responsible for the success of the original Canon EOS-1 in capturing the lion's share in the professional 35mm SLR camera market. .... - my "Captain Canon" friend
* Introduced at the same time with the camera were four new L-series EF lenses, the EF 20-35mm f/2.8L AFD, EF 50mm f/1.0L USM*, EF 85mm f/1.2L USM and the EF 80-200mm f/2.8L AFD. ** Note Although formally introduced in 1987 with EF 50mm f/1.0L USM was officially available for sale only from Autumn 1989 onwards.
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Firstly, the autofocus version of EF ultrawide zoom has an entirely redesigned interface inside out. Optically, it comprised of a new, rather complex 15 elements in 12 group optical arrangement and its constant maximum aperture was fixed at f/2.8, brighter than the f/3.5 of the FD equivalent.
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But basic principle remains, this 1.5:1 zoom ratio large-aperture super-wide-angle zoom lens covering all wide-angle focal lengths from ultrawide 20mm to moderate wideangle of 35mm - offers the sharpness and brightness of a single focal length lens via the use of a large-diameter ground and polished aspherical lens for the front element virtually eliminates the distortion common in wide-angle zooms. An internal focusing system with a floating effect ensures rapid autofocusing and improves image quality at close shooting distances. Moreover, the front of the lens does not rotate during focusing, facilitating use of circular polarizing filters. All these provides a very well corrected geometry, flatness of field as well as a very commendable close focus ability.
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It used to be a high-quality zoom lens highly praised by professional photographers worldwide. However, strangely USM was not incorporated into the design and instead, it has a AFD (Arc Form Drive) actuator which in a way prohibiting the use of full time manual focusing (the followed up 17-35mm EF-L in 1996 was USM enabled). The possible theory was, since the wide angle has very narrow rotational drive from near to far and it is not necessary to incorporate into the lens. Its moderate size (for a zoom lens type such as this) and relatively light weight (510g) make this lens highly portable. In fact, I think Canon designers have done an excellent job in this area despite the fact, its 15 elements design and if you compared the previous (but mechanical) FD version of maximum aperture of f/3.5; the f/2.8 and more number in elements does not add more weight in the package.
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If fast speed for low ambient light is not entirely a must, a compromise of a f/2.8 should be adequate for most situation where it carries the benefit of substituting a few prime wideangle lenses combined and the aspherical front lens element assures superlative image quality comparable to many prime optics. Personally, I think this lens is very practical for some serious thought as companion for photojournalism, travels, nature, scenic and even for portraiture as the varying angle of view presents many through the lens compositions without the hassle of interchanging lenses for immediate assessment of visual effect. As the lens has a non-rotational forward lens for internal zoom and focus control, it facilitates the use of circular polarized filters (PL-C) filter even at its widest angle of 20mm. |
Technical Specification for Canon EF 20-35mm f/2.8L: -
Type: - Autofocus lens type with manual focusing mechanism Focal Length: 20-35mm with zoom ration of 1.5:1 Focus Adjustment:- Autofocus. Front group linear extension system with Micro motor and floating lens elements / inner and rear focus Manual Focusing:- possible via AF/MF switch and manual focusing ring; Full time Manual focusing NOT possible Zoom Adjustment:- Dual Rings, rotational Closest Focusing Distance:- 0.5m (1.6 ft) Maximum Magnification:- 0.09X at 35mm setting
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Filter Attachment Size:- 72 mm Filter rotation: No Diameter:- 79.2 x 89mm (3-1/8" x 3-1/2") Weight:- 570g (20 oz) Others: - Infrared index for 20 and 35mm; PL-C filter enabled. System Accessories:- Extension Tube EF25 - 0.8-0.92X; Lens Hood EW-75 (supplied); lens Cap E72; Hard lens case LH-D13;
Status: Discontinued |
Yes. The seemingly evergreen users favorites EF 20-35mm f/2.8L was officially retired from Canon EF lens group in 1996 - it was barely few years after its nearest competition, Nikon caught up with an equivalent of an Aspherical glass AF-Nikkor 20-35mm f/2.8D, Canon thus, replied positively by announcing a worthy replacement optic for this long time Canon classic with a Canon EF 17-35mm f/2.8L USM; Five years later in Dec. 2001, Canon went further ahead with a Canon EF 16-35mm f/2.8L (which is still current model) and followed by another comparing alternative of EF 17-40mm f/2.8L in 2003 - in fact, the subsequent Canon EF lens group has more options than any other manufacturers in the ultrawide zoom selection; alternatives such as Canon EF 24-70mm f/2.8L USM, Canon EF 24-105mm f/4L IS USM and the earlier mentioned Canon EF 17-40mm f/4L USM and EF 16-35mm f/2.8L USM. However, as most of the newer Canon L-series Ultra Wides are relatively quite expensive even if it is used - as each may fetch over USD1K+, an used 20-35mm f/2.8L can roughly quoted around + - USD450-00 becomes very viable as serious consideration for many photographers.
In 1993, amidst all these development on the EF lens group, the 20-odd years in the establishment of a hugely successful 20-35mm zoom range has maintained by Canon with an inclusion of an EF 20-35mm f/3.5-4.5 USM. This spherical optical ultrawide was also immensely popular as it carries with a modest entry price tag and was very well received for users who may not be able to afford the elite class of L-series EF superwide-zoom. You may consider go through some basic reading references of other options below.
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Credit: Image courtesy of XXXX from Portugal whose PORTFOLIO can be accessed at PBase. Image copyright © 2006. All rights reserved. Please respect the visual property of the contributing photographer. |
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